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	<title>Gavin Photography &#187; gels</title>
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	<description>Gavin Holt Wedding Photography in Los Angeles and Orange County</description>
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		<title>Why I use Color Gels</title>
		<link>http://www.gavinphotography.com/blog/2009/04/23/why-i-use-color-gels/</link>
		<comments>http://www.gavinphotography.com/blog/2009/04/23/why-i-use-color-gels/#comments</comments>
		<pubDate>Fri, 24 Apr 2009 05:15:42 +0000</pubDate>
		<dc:creator>Gavin</dc:creator>
				<category><![CDATA[4 Photogs]]></category>
		<category><![CDATA[gels]]></category>
		<category><![CDATA[lighting tips]]></category>

		<guid isPermaLink="false">http://www.gavinphotography.com/blog/?p=1652</guid>
		<description><![CDATA[I don&#8217;t care if you shoot in RAW.  Color gels allow you to control the light sources COMPARED to other sources.  If you have blue and orange light in the same image, RAW processing won&#8217;t fix that.  So here is a good example with an amateur model.  Brian Jost, while kicking it at Hoffmann&#8217;s house [...]]]></description>
			<content:encoded><![CDATA[<p>I don&#8217;t care if you shoot in RAW.  Color gels allow you to control the light sources COMPARED to other sources.  <span id="more-1652"></span>If you have blue and orange light in the same image, RAW processing won&#8217;t fix that.  So here is a good example with an amateur model.  Brian Jost, while kicking it at Hoffmann&#8217;s house doing post, asked me why I use color gels for my reception images.  These four images drive the point home.</p>
<p>Here is the first image.  I took it at a really high iso to let in the orangish ambient light.  BTW all images are ETTL with a stofen omnibounce on a 580exII.  It is mostly to prove a point, though I&#8217;m sure you&#8217;ve had images at some point where you&#8217;ll say &#8220;damn that background is really orange.&#8221;</p>
<p><img class="alignnone size-full wp-image-1653" title="2009-04-04-21-47-25_0893" src="http://www.gavinphotography.com/blog/wp-content/uploads/2009/04/2009-04-04-21-47-25_0893.jpg" alt="2009-04-04-21-47-25_0893" width="950" height="634" /></p>
<p>Next I took an image to show Jost what kind of background I like to get.  Notice how nice and white the walls and blinds are, though Brian is looking a little blue in the face.</p>
<p><img class="alignnone size-full wp-image-1656" title="2009-04-04-21-51-15_0896" src="http://www.gavinphotography.com/blog/wp-content/uploads/2009/04/2009-04-04-21-51-15_0896.jpg" alt="2009-04-04-21-51-15_0896" width="950" height="634" /></p>
<p>So here I&#8217;ve slapped a Color Temperature Orange Gel (CTO) onto my 580ex.  I took this to show how I&#8217;ve effectively changed the light in my flash to match the color temperature of the room.</p>
<p><img class="alignnone size-full wp-image-1655" title="2009-04-04-21-50-13_0895" src="http://www.gavinphotography.com/blog/wp-content/uploads/2009/04/2009-04-04-21-50-13_0895.jpg" alt="2009-04-04-21-50-13_0895" width="950" height="634" /></p>
<p>All we need to do now is tell the camera that orange light is actually white (Kelvin set to 3000K) and now we have the ideal exposure.</p>
<p><img class="alignnone size-full wp-image-1654" title="2009-04-04-21-47-55_0894" src="http://www.gavinphotography.com/blog/wp-content/uploads/2009/04/2009-04-04-21-47-55_0894.jpg" alt="2009-04-04-21-47-55_0894" width="950" height="634" /></p>
<p>Yeah, seeing them side by side makes a big difference.  I love having good white balancing, since I&#8217;m always shooting JPEG.  But this applies to you RAW shooters out there too.  Imagine, the RAW file only has the first two images as options.</p>
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